Motion graphics and visual effects; an open-source, clean-room reimplementation of Adobe After Effects, rebuilt in pure Rust.
A free, open-source compositor in the spirit of After Effects: compositions, layers, keyframes, 306 effects, layer styles, expressions, 3D cameras and lights, and a render queue, native on macOS, Windows and Linux, and in the browser. Young, moving fast, and already usable.
EffectCraft is for animated titles, motion graphics and compositing work: the kind of thing people reach for After Effects to do. You build a composition out of layers (solids, shapes, text, footage, other compositions), animate their properties with keyframes, stack effects on them and render the result.
The aim is to feel familiar to anyone who has used After Effects, with the same panels (Project, Composition, Timeline, Effect Controls, Effects & Presets) and the same keyframe behaviour, and then to go further in a few places where it matters to us:
- Lottie import and export built in, so animations can go straight to the web and apps without a plugin.
- A project file you can read. Projects are versioned JSON (
.ecproj), so they diff cleanly in version control. - Everything is scriptable. Every menu item, timeline drag and property edit goes through one command registry, so the same actions are reachable from a command line, a JSON control channel and an MCP server for agents.
- No FFmpeg. Video and audio decoding and encoding are pure Rust: FilmCraft's codecs and EffectCraft's own VP9, AV1, HEVC and Opus encoders.
The panels, menus and shortcuts follow After Effects, so your muscle memory carries over: Project, Composition, Timeline, Effect Controls, Properties, Effects & Presets, Character, Paragraph, Align, Info, Preview, Audio and the Render Queue, docked the way you expect. Drag footage, comps and effects between them: onto the comp viewer, where they land under the pointer, or into the Timeline, between layers and at the time you point to.
- Layers of every kind: solids, shapes, text, footage, nested compositions, nulls, adjustment layers, cameras and lights; parenting, track mattes, all 38 blend modes, motion blur.
- Keyframes that behave the same: linear, Bezier, hold, auto and continuous Bezier, roving keys, Easy Ease (F9), Keyframe Velocity and Interpolation dialogs, copy and paste at the current time, and a Graph Editor with value and speed graphs and draggable handles.
- Time: time remapping, time stretch, time-reverse, freeze frame, work area, markers, exact frame-accurate timing at every frame rate including 29.97 drop-frame.
- Shapes and masks: shape layers with trim paths, repeaters, round corners, offset, zig zag, twist, wiggle, merge paths and gradient strokes; masks drawn with the pen tool, with modes, feather, expansion and vertex editing in the viewer.
- Text: point and paragraph text with real shaping in any font installed on your machine, the Character and Paragraph panels, and text animators with range selectors.
- Expressions: JavaScript with the After Effects object model (
wiggle,loopOut,thisComp.layer("…"), vector maths on arrays), an inline editor and the pick-whip. - Timeline like you know it: twirl layers open to Transform, masks, effects and the rest; drag rows to reorder layers; rename with Enter or a double-click; the property shortcuts (A, P, S, R, T, M, F, E, L, U and their double presses AA, PP, SS, RR, TT, MM, FF, EE, LL, UU), Shift to add properties, Alt+Shift+A/P/S/R/T to key the current time, Ctrl+` to twirl selected layers.
- Puppet tools: Position, Advanced, Bend, Starch and Overlap pins on a mesh built from the layer, real-time pin recording, rotate/scale handles, pins driven by (or carrying) nulls for rigging, and follow-through for hair and cloth.
306 effects (every one of After Effects' 298, and more) across its categories, each with its parameter names, order and defaults: blur and sharpen, channel, color correction (Curves, Levels, Hue/Saturation, Lumetri Color…), distort (Warp, Bulge, Turbulent Displace, CC Power Pin…), generate (Fractal Noise, Gradient Ramp, Stroke, Write-on, Audio Spectrum…), keying, matte, noise and grain, perspective, simulation (CC Particle World, CC Rainfall, Shatter, Card Dance, Caustics, Wave World…), stylize (Glow, CC Glass…), time (Echo, Posterize Time, Timewarp, Time Displacement…), audio (Reverb, Parametric EQ, Delay, Stereo Mixer…), text, transitions, utility and expression controls. All nine Layer Styles (Drop Shadow, Inner/Outer Glow, Bevel and Emboss, Satin, overlays, Stroke) with Global Light. Preview plays audio in sync, with meters and waveforms.
Classic 3D the way After Effects does it: 3D layers with orientation and material options, one- and two-node cameras with depth of field, lights (parallel, spot, point, ambient) with soft ray-traced shadows, layers that intersect correctly, orbit, pan and dolly camera tools, and Front, Top, Left and Custom views.
A Render Queue like After Effects', with Render Settings and Output Modules: H.264 MP4 and ProRes MOV (Proxy to 4444 XQ with alpha) with audio, HEVC (Main / Main 10) and AV1 MP4, WebM (VP9 with inter frames and alpha, or AV1; Opus audio), PNG, JPEG, TIFF and 32-bit EXR sequences, animated GIF and WAV/AIFF. Field rendering with 3:2 pulldown, effect/solo/guide/depth overrides, crop, region of interest and resize, Render Settings and Output Module templates with defaults, post-render actions, storage overflow and render logs. The same queue runs from the command line. Every encoder is pure Rust (FilmCraft's H.264, ProRes and AAC; EffectCraft's own VP9, AV1, HEVC and Opus); there is no FFmpeg inside.
Lottie goes both ways: File ▸ Export ▸ Lottie JSON… writes a composition (precomps, shape,
solid, image, text and null layers, eased and spatial keyframes, masks, track mattes, blend
modes, time remapping, optionally expressions) as .json or .lottie, and lists anything Lottie
cannot express; File ▸ Import ▸ Lottie… opens one as a new composition.
| Platform | Download | Run |
|---|---|---|
| Windows x64 | effectcraft-x64.7z | Run installer → launch effectcraft-x64.7z |
| Linux x64 | effectcraft-Linux-x64.run | chmod +x → run installer |
| macOS Apple Silicon | effectcraft-macOS-arm64.dmg | Open DMG → drag to Applications |
EffectCraft is young: its first commit was on 1 October 2026. Nearly every After Effects feature exists, including all of its effects, but existing is not the same as behaving exactly like After Effects, and we haven't measured that yet. Today it's a good place to try things and to tell us what breaks. It isn't yet a replacement for After Effects on client work. In particular:
- After Effects projects can't be opened. Projects are saved as
.ecproj, readable versioned JSON, but EffectCraft can't open.aep/.aepxfiles, and After Effects plug-ins don't run. - Behaviour still differs from After Effects in places. Nothing yet compares our renders with After Effects automatically, so please report differences.
- macOS is the most tested platform. Linux and Windows users have hit basic interaction bugs, which we're fixing first.
- The trained models are new. Roto Brush can use MobileSAM (an optional 40 MB download in Settings ▸ Roto Brush) and face tracking can use Google's MediaPipe Face Landmarker (an optional 3.8 MB download in Settings ▸ Face Tracking). Neither is compared with After Effects yet.
EffectCraft is in alpha: about 91% of After Effects' features exist, and we estimate it is about 45% of the way to replacing After Effects for professional work.
- Engine first. A stack of small crates with strict layering. The interface (egui) sits on top and nothing underneath depends on it.
- Clean room. We work from After Effects' public documentation and how it behaves, never from Adobe's files, icons, presets or code. No code is copied from GPL projects.
- Private by default. No telemetry, and no network access unless you ask for it.
- One family. EffectCraft shares its time model and text engine design with FilmCraft, and gets its video and audio codecs from it.
EffectCraft is dual-licensed under MIT or Apache-2.0, at your option. Copyright (c) 2026 ArtCraft Team and the EffectCraft contributors. Required notices are in NOTICE.